Kill Bill vs Hamlet

settlement and pop disclose cadence Revenge is a dish better(p) served cold. The Sicilian proverb used as pop institutionalise Vol. 2s tagline perfectly points out a tragical flaw shared by Shakespeares juncture and Quentin Tarentinos innovational hero Bill (from Kill Bill Vol. 1 and Kill Bill Vol. 2). In Kill Bill Beatrice is a killer belonging to a group of bravos lead by a man by the name of Bill. Beatrice and her master f solely in sleep with and unmatched night while she is on a job, she discovers she is pregnant.She realizes the world of assassins is no place for a convey and catchs the decision to leave the team and leave Bill. When Beatrice does non return to him, Bill searches every(prenominal)where for her, non will to accept she may work been killed on the job. He lastly finds her only to learn that she is pregnant and close to to be married From this, Bill derives his motivation for vindicate. critical point obviously has more of a merely mother t o act on, where Bill, and re bothy all the corrupt characters in his world, act based on selfishness.Though up to now a easily deal they may disagree, their likeness is shown through choices made when winning their conviction in exacting revenge, when they let their situations constrain them to furiousness, when they refuse to act without confirmation, and when they let their arrogance and emergency for revenge blind them. While alike(p)ities between crossroads and Bills moral standings are little to n star, it is the element of revenge that reveals the shared traits that bring these men to their demise.The realization that his yellowish brown had not only left him without a iodin word, but had only months later been knocked up and prosecute to wed, sent Bill into a maddened outrage. He confronted Beatrice outside of the church where she, her soon to be husband, and all of his family were having a wedding rehersal. He tells Beatrice he alone wants to see her happy and that hell let her go. Once Beatrice is sticker inside the church Bill sends in his team to kill them all. Bill walks in himself and shoots Beatrice in the head.Obviously this scratchiness is no social function like the madness crossroads experient after finding out the truth tardily his fathers death. His became more of a depressed mind. He would grizzle around day after day verbalise outlandish social functions to people who tried to comfort him. It seemed that self-annihilation was not far from his thoughts. Another thing his madness led him to do was to force himself upon the one he thought he loved Ophelia. This flaw in Bill and Hamlets characters affected them in very distinguishable ways. However this is not surprising, for they were certainly very contrasting people.The point is, these 2 men let these fatal happenings work on them two for demoralise their minds for a time. However rash these two men might be under the right circumstances, it is more in their temperament to procrastinate. It just so happens that even with that direct cinch to the head, Beatrice did not die. Bill has one of his assassins sneak into her infirmary inhabit, fully prepared to finish the job. However when the assassin informs him of his former lovers condition, he tells her to abort, saying, Yall beat the hell out of that woman, but you didnt kill her.And I put a bullet in her head, but her heart just kept on beating. Weve done a voltaic pile of things to this lady. And if she ever elicits up, well do a whole grapple more. But one thing we wont do, is sneak into her room in the night like a skanky rat, and kill her in her sleep. And the reason we wont do that thing, is because that thing would lower us. It is safe to say that even with abruptly no regard for human life, Bill is a man of honor and integrity. Hamlet too decides to cease the life of his victim for the time being.He finds himself alone in a room with his uncle, the prey not washbasin to the predators presence. However the King had just prayed for forgiveness of his sins, and Hamlet was determined to make him burn in hell. or else of getting the job done when they had their chance, these men let their ideals and over-confidence lead to their destruction. Bills virtues would typically make a good man even more righteous, so by nature this quality has a negative effect towards his outcome. Because of his decision, Beatrice is allowed to wake up from her coma to find out that Bill has taken her baby.Determined to get her baby back and to get her own revenge, she sets out after Bill. Along the way, one by one, she slays her fellow assassins who have wronged her. All this time Bill has plenty of opportunities to set a confine for her or to simply find her and finish her, but he waits, just as Hamlet waits, squander his constant access to his uncle, the King. The last bit of dilatoriness that only prolongs the lives of the victims, increasing the chance of failure wi th every permitted breath the last tie between these two tragedies, is the need for confirmation.Rather than acting when they still had the advantage, Bill and Hamlet both insist on getting answers. When Beatrice finally makes it to Bills house, he first allows her quality time with her phoebe bird year old daughter, leaving her completely vulnerable. When the missy is asleep and Beatrice leaves the room, he injects her with truth serum and questions her on everything that happened and why, all the while having access to a bet of different weapons. It is not until they are both place across from one another, both with sword in hand, that any attempt is made to kill.This is also a perfect reflection of Bills sense of honor. In Hamlets similar situation based on finding the truth, Hamlet refuses to make a move on the unsuspicious King until he has judged his reaction based on a play put on that almost resembles the murder of Hamlets father. Of course after having seen the play, s et up by Hamlet himself, the King sends Hamlet outside to his death. In the final moments of both these tragic stories, both Bill and Hamlet meet their end. The outcomes do differ slightly.Hamlet does end up carrying out revenge on his uncle, sending him to the depths of hell, while Bills prey lives on. One thing that makes up for Bills lack of advantage is that after the deadly blow had been cast upon him, he seems to realize that he had a choice between dieing and watching the one he loves die. It seemed like more of a success to him that his love got to live, and he got to spend his last moments with her. However, that is not to be taken as acceptance of death (because right up until he was critically wounded, he wanted Beatrice dead) or admittance of wrongdoing.These characters definitely have only themselves to blame for their demise. The traits of these men that led them to make bad decisions are known as their tragic flaws. Nonetheless, these so-called flaws arent necessaril y horrible attributes and definitely dont make a person bad or flawed. In fact most human beings display all these qualities in some degree. This is why, no matter what generation, nationality, race, sex, or culture past, present, or future, we will always be able to relate to, and learn a expectant deal about ourselves from tragedy.